2010年12月21日星期二

趙已然(老大)音樂人生首張專輯香港發佈音樂會

唐三音樂專場:純真年代*

趙已然(老大)音樂人生首張專輯香港發佈音樂會

日期:12月31日 (星期五)
時間:晚上8:30-10:30 (提前15分鐘入場)
地點:天邊外劇場
(九龍大角咀必發道71-73號2/F(天邊外劇場,地鐵太子站C出口)

入場費:港幣120元 (附送啤酒乙罐)
(限量100隻簽名專輯CD同場發售,原價200元,電話預購八折優惠)
查詢、預購CD或訂票請電:60112571 (小四) / 93189719 (阿Cat)
主辦單位:十月隕蘀


特別嘉賓:迷你噪音,黃衍仁

......

自我放逐十年,逝者如斯夫。去年偶然在雲南大理的街頭他聽到了自己的歌。他哭了!他說他已經忘了自己的聲音曾經是那麼的乾淨,“比我的臉乾淨多了”。他聽到的是五年前12月一場演出時,朋友私自錄下的現場錄音。那麼,拋開所謂的歌手或其他一切頭銜,僅僅作為一個再也無法還原的聲音,他想把它保留下來。這張2005年在北京798南門空間演出的錄音5年後就這樣印製出來了。

2010年12月31日祖先的風骨依稀如夢。在這新世記第一個十年的最後一個晚上,回溯那純真年代決不放棄的自由。

「我要做一張專輯,留給那些像我一樣曾經需要歌聲, 需要音樂的善良朋友。」﹣﹣趙已然

*「純真年代」在這裏指中國的八十年代,趙已然的青年時代,每逢周日青年們穿喇叭褲在圓明園跳Disco的年代。鄧麗君及一批台灣歌手如葉佳修、梁弘志、李壽全、 羅大佑、李宗盛等影嚮一代人的年代。



2010年7月5日星期一

我的搖凳同學音樂會

「我的搖凳同學音樂會」
聯校音樂交流平台
主辦:香港兆基創意書院
策劃:陳康琪,龐之馨


我的搖凳同學音樂會

「我的搖凳同學音樂會」是一個由香港兆基創意書院學生及導師,首次舉辦的聯校音樂交流平台。透過音樂平台,讓不同的中學和大專院校的學生走在一起,把自己的音樂供諸同好。音樂形式不限,好音樂不嫌多,就是我們的習慣。

當晚演出隊伍 :
1. Infinite
2. SITHEN
3. ***Special Guest : noughts and exes ***
4. Scharz Eis
5. Left Brain
6. ***Special Guest : F.B.I. ***
7. Destiny

8. 白果作業
9. ***Special Guest : mininoise ***


nought and exes : facebook myspace
F.B.I. :
facebook myspace
mininoise :
facebook youtube

報名及查詢:

查詢電話: 陳康琪 9443 1196 / 龐之馨 9222 3192

留座電話: 2339 7370
電郵: myrockerclassmate@gmail.com

2010年6月11日星期五

《七個猶太小孩》劇本誦讀+音樂

活化廳主辦《六十四件事》系列活動 ...

以唸讀英國劇作家卡瑞.邱琪兒 (C. Churchil) 為加沙而寫的劇本《七個猶太小孩》(Seven Jewish Children),控訴以色列暴力封鎖加沙的冷血行為,透過文本與音樂,以文化行動,喚起旁觀者對加沙事件的關注,停止國家暴力。也希望這只是個開始,朋友可以在自己的社區唸讀、討論,我們備有中英文版本劇本。

一次回歸文本,回歸聲音,召喚對國家暴力的合理性的質疑,譴責非我族類即要滅亡的卑劣。

日期 : 6月12日
時間 : 下午5至6時
地點 : 活化廳 (香港 九龍 上海街404號 地下)
> 網頁
> Facebook

誦讀者 : Adeline Kayee、Cliff Wong、Jessie Ng、Margo Leung、馮程程、鄧正健、俞若玫等等 (繼續增加)
音樂演出 : 迷你噪音成員 Billy、阿逵、Edmund 及發仔

有關演出文本的參考資料 ...
Youtube英文演出(中文字幕)
作品簡介

有關加沙,以巴衝突的中文資料 ...
紀念若雪巴勒斯坦資訊網


2010年6月8日星期二

彈奏時想著孫瑜在聽 ...

2010年6月5日(星期六) 和 20日(星期日)
晚上7:45,在香港電影資料館電影院
票價:$30

《小玩意》











點擊看《香港電影資料館》介紹
導演/編劇:孫瑜 
製片:陸涵章
攝影:周克 
佈景:方沛霖
監製:羅明佑 
出品:聯華
合演:黎莉莉、袁叢美、湯天繡、劉繼群、韓蘭根
1933 / 黑白 / D Beta / 無聲 /
中英文插入字幕 / 100分鐘
現場音樂伴奏:黃仁逵與友人

孫瑜跟阮玲玉合作的第三部影片,可惜前作《故都春夢》(1930)和《野草閑花》(1930)都已散佚。《小玩意》為迴避國民黨審查,低調處理抗日情節,以「小玩意」回應大時代的心思其實更符合孫瑜的浪漫氣質。輕巧靈活的鏡頭帶出田園詩風味,寄寓一股樂天積極的態度,也突出了阮玲玉天然的女性美。脫離摩登城市的她一洗幽怨,在桃花源般的太湖農村裡製作小玩意,以女性的靈巧體貼滋潤著男人的農耕生活,神情意態盡得風流,卻又落落大方不覺輕浮,在愛慾與情義之間自有選擇。飾演珠兒的黎莉莉散發健美的青春氣息,與阮玲玉演繹母女情深,跟兩人在《國風》(1935)中的配對,又自不同。

2010年1月3日星期日

《迷你噪音》黃昏池畔音樂會

老B

《迷你噪音》在1月28日(星期四)
黃昏5時至7時
到香港中文大學泳池旁,女工合作小賣店門前
開音樂會 ...
28.1.2010 迷你噪音音樂會

女工姊妹和中大學生們一直在開拓,
一個既關心社會,又實踐另類經濟的空間。

我們邀請大家來聽音樂,
也跟這班女工和學生認識交流,
為她們喝采打氣!

2010年1月1日星期五

CD1-10-Marks

Marks
(Music & Lyric: simple-person)

Memories filled with question marks, truncated ways
Chaos of flashes from the past, checkered lights and shades
Floating spirits that will not go and will not grow
Sinking dust that will not reply and will not comply
Restless marks of life and death, a decade flew by

What about marking a fullstop, let it transit
Dreams and bitter obsessions from the past, getting tiring
No forgetting and no heaviness from indignation
Serenely hold up the head, be astounded at the changes around
Perhaps someday, tears will be in the laughter

* Burgeoning grass will not seek solace in falling leaves
Slumbering together in fierce winter is for a greener dawn in spring
Like the mark of sorrow buried long ago in my mind
It will weather to forward a rebellious life

Perhaps there are marks in the streets, giving signs
Burgeoning grass under the wall, dancing steps of those days
The setting sun and the crimson hues, ...
... rising and falling, changing embodiments
Chasing after the street lamps, lights and shades go wild again
Young lives love the brightness and fear not getting lost

*

Young lives have their own implicit marks, ...
... sequeling the dancing steps
Old marks from the past, new angers
Wandering in the flamboyant vanities, ...
... mocking at the ostentation of the millennium
Falling for the crumbling walls deeply cracked by tribulations
Youthful and ridiculous lives themselves will shock

CD1-09-The Spirits of Labourers

The Spirits of Laborers
(Music & Lyric: simple-person)

Sinuously my body is rambling, perching on the skeletons of buildings
Amidst the cross stitches of city scenes
and the tightly compressed mud, my stories are entombed

For every inhalation of toxics and dust, profit indexes are exhaled
Spiraling with the ups and downs of investments
and the extravagant annual firework display, my breath is flamed

Silently my back relates, how computer eats away at lives
On the heavily burdened shoulders and
inside the work-wretched sinews and bones, my trauma is buried

Oh … oh … … la … … la … …

It is my body condemning the ostentation of prosperity
Leaving the darkened corners, our work-eroded bodies will embrace
our will is unbending

Teardrops will come together, depositing sediments from the heaviness of time
Though dreams maybe trampled and destitute
spirits in the wind will always sing, the stories of laborers

CD1-08-How Wonderful Life Is

How Wonderful Life Is
(Music & Lyric: simple-person)

Breathing out a cloud of smoke,
reality is mysteriously cruel
How wonderful it is to sleep for half of the day

I realize with my body under the street light,
money flows via desire
How wonderful it is to remain at a state
in between consciousness and dreaminess

The pain from my attachment becomes worthless;
the hole in my heart cannot be fulfilled
How wonderful it is to remember
a sheer piece of memory in my mind

The flower signals a final warning:
a dream is like an eternal chasing
How wonderful it is to free my soul and
set it running with no regret

CD1-06-Why I'm Here

Why I'm Here
(Music & Lyric: simple-person)

Ya ask me why I come here today,
well I tell ya, it's becuz I can't get the frustrations off my chest
I live in a corner somewhere in Hong Kong,
and I just wanna be able to meet the breadline
just a meager wish for a stable and happy life
but then the authorities say they will increase my rent,
and that I've been taking advantage of them
they say the rent in Hong Kong has been doubled, tripled and quadrupled
and they say that I am a "rich tenant" in the poor public housing estates
and that I should pay the market price

Well, ya've got a big mouth but don't take me for an idiot
looking back, I could have been so happy with my cottage and my field
but then ya suddenly played the authority shit
and took my little world away from me
ya even crapped the shit about "improving the quality of my life"
well, I know of a good Old Lee living in Shum Shui Po
he's been working round the clock to get his rent paid
then suddenly the authorities say they wanna renew this city
ha, what choice did he have but to accept the displacing "temporary settlement"

And ya think that the oldies and weakies in the community have no value at all
Ya displace them into faraway godforsaken places,
and ya stuff them into cramped birdcages in crumbling old estates
and oh, for single guys like Ah-Kui, sigh, they're really doomed
it's a real la la la …… …… la …… ……
the authorities just go on la ……la ……… and again they go la …… ….…
in the end they go la la …… …… so it's another la …… …… la ……

There's no justice at all in your unscrupulous hole-and-corner deals
ya reconstructed the public housing alright,
but then ya sold them to affordable homeowners to earn big bucks
it made the people queueing up to get into the public housing hatta wait
again for timeless ages
and then ya say the "rich tenants" are selfish and unreasonable
and ah, the media, they will hype up whatever shit the authorities talk
they hocus-pocus the figures,
hide away real living situations and voices of the communities
the lively energy of mutual help is ignored
and everybody is turned into just another number

Angrily I sing this song to condemn this system
the fat and big authorities and business pepole don't care a shit
about our rights of living, our rights to residency
everyone of us grassrooties in the community
hatta make an effort, gather our voices and change the policies
hey, Hongkong islanders, Kowloonese and folks from the New territories,
let's all gather in solidarity,
let's turn the public space into our discussion platform,
and we will directly voice out our demands
mutual help and encouragement make our action and our will strong

CD1-05-Before and Thereafter

Before and Thereafter
(Music & Lyric: simple-person)

Without many hoorays, applauses, ovations
A youth in prime ill spent for the rest of life, only half-fed
And how much worries and sorrows to toss behind the back of ones’ mind
Hand in had we are today fearing not the fierce road ahead
Able are we to cry out boldly our rights
Arms in arms entwined before and thereafter

Despite losses and gains our comradeship never fades
Highest regards to all the hardships you have overcome
One cry resounded by a thousand others: hay ho hay ho
The forgotten soul in me now urges to sing
Labour has changed this harbour
Labourers make history before and thereafter

CD1-04-Battle of Love

Battle of Love
(Song originate from social movement in South Korea; Lyric: simple-person)

There has never been crowning with cheer
Hard-working has not brought about well-being
Floating and sinking at the bottom of society
Have experienced all oppressions yet the heart has not died

Indignation hidden in my heart
Is like a waken lioness
Walking together at the front line of struggle
Fates have linked up tightly

Fighting together to this moment
Green hills, blue sea and sky
Draw this stroke in the world
Loud cheers rent the air

Even though cannot see in this life
Hope that there will be successors in some other days
Workers will eventually act on their owns
The ones have died for righteous will have places in history